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“albert mason needs some further help with his wildlife photography”

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ppitte:

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I was rewatching parks and rec, this particular joke was too spot on not to take advantage of.

ppitte:

:’‘‘‘‘‘‘)

hurrgantu:
“drink the spooky juice
”

hurrgantu:

drink the spooky juice

lock-screens:

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billie eilish

kelogsloops:
“when the party’s over
”

kelogsloops:

when the party’s over

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swagginsloths:

blixart:

how to draw arms ? ? 

holy fuck

holy fuck is right… but… does it work with legs???

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yes !!

but how much extend

^^^^^^^^^^

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I NEARLY CHOKED

ENJFDFNFATFVFDF

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finally. i can be accurate

This is too fucking great to not reblog

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I give it MASCLES

BIG MACHO

🤣🤣

LMAOOOOOO

Okay but for anyone who legit wants to know how to calculate it correctly:

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The elbow joint on average rests a couple inches higher than the navel, so if you measure how long the distance is from the middle of the shoulder to that point then you have the length of the upper and fore arms!

So if anyone’s wondering about legs too, the simplest rule of thumb is that the length from the top of the leg to the knee is equal to the distance between the top of the leg and the bottom of the pectorals:

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And I wanna stress that when i say “top of the leg” i’m not talking about the crotch (please don’t flag me tumblr it’s an anatomical term) i’m talking about the point where the femur connects to the pelvis, which is higher up on the hips:

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It’s easier to see what I’m talking about in this photo of a man squatting: 

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So yeah if you use that measurement when using this technique you should get fairly realistically proportioned legs:

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But remember! messing with proportions is an important and fun part of character design! Know the rules first so you can then break them however you please!

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HOW THE HELL DID I FIND THIS POST OMG

(via jelloapocalypse)

Some Photoshop Tips

zuzartii:

I’ve been getting quite a few asks about the process for the patterns in my stylized artworks, so I decided to put together a couple of tips regarding them. 

Firstly, what you need are


—  CUSTOM BRUSHES  —


Most of the patterns I use are custom brushes I made, such as those:

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For the longest time I was convinced making brushes must be super extra complicated. I was super extra wrong. All you need to start is a transparent canvas (2500px x 2500px max):

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This will be your brush tip. When you’re satisfied how it looks, click Ctrl+A to select the whole canvas and go to ‘define brush preset’ under the edit menu

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You will be asked to name your new glorious creation. Choose something that describes it well, so you can easily find it between all the ‘asfsfgdgd’ brushes you’ve created to be only used once

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This is it. Look at it, you have just created a photoshop brush. First time i did I felt like I was cheated my whole life. IT’S SO EASY WHY HASN’T ANYONE TOLD ME 

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Time to edit the Good Boi to be more random, so it can be used as a Cool Fancy Pattern. Go into brush settings and change whatever you’d like. Here’s a list of what I do for patterns:

- under Shape Dynamics, I increase Size Jitter and Angle jitter by 5%-15% 

- under Brush Tip Shape, I increase spacing by a shitload. Sometimes it’s like 150%, the point is to get the initial brush tip we painted to be visible.

- If I want it to look random and noisy, I enable the Dual Brush option, which acts like another brush was put on top of the one we’ve created. You can adjust all of the Dual Brush options (Size, Spacing, Scatter, Count) as you wish to get a very nice random brush to smear on your  backgrounds


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The result is as above. You can follow the same steps to create whatever brush you need: evenly spaced dots that look like you painted them by hand, geometric pattern to fill the background, a line of perfectly drawn XDs and so on. 

BUT WAIT, THERE’S MORE


—  PATHS  —


But what if you want to get lots of circles made of tiny dots? Or you need rows of triangles for your cool background? Photoshop can do all of that for you, thanks to the magic of paths.

Typically, paths window can be found right next to Layers:

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Draw whatever path you want, the Shape Tool has quite a bit of options. Remember, paths are completely different from brush strokes and they won’t show up in the navigator. To move a path around, click A to enable path selection tool. You can use Ctrl+T to transform it, and if you move a path while pressing Alt it will be duplicated.

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Now, pick a brush you wish really was in place of that path you’ve drawn and go to layers, then choose the layer you want it to be drawn on. Then, click this tiny circle under the Paths window:

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Then witness the magic of photoshop doing the drawing for you while you wonder how tf have you managed to forget about this option for the past 2 years 

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You can combine special brushes and paths for all sorts of cool effects. I mostly use them in backgrounds for my cards, but you can do whatever you want with them.

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I hope that answers the questions for all of the people who were sending me inquires about the patterns. If you have any questions regarding this or any other Photoshop matter feel free to message me, I’m always up for complaining about how great and terrible Photoshop is C’:

radycat:

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Meme hit me so fast i had to do it in class.

(dont tag as ship)

thyrell:

dankmemeuniversity:

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why are there 5,000 people on this site holding back from doing something with literally zero repercussions for anyone in a world that will never remember the chances you didn’t take? don’t waste your time on this earth live your life slap some rice

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lynati:

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elegantstrings:

bobgalloway55:

southernsideofme:

Awesome 👏

Dear lord!

@advanced-procrastination iM

drift compatible

it took me a moment to realize what was going on with their hands. Drift compatible indeed!

(via ashestoashesjc)

flipface4:

sixthrock:

retrogamingblog:

Snorlax vs Team Skull

I don’t know what’s funnier, the fourth grunt that pops up out of nowhere at the end or the nearby Guzma who seems to be legitimately concerned they’re going to get their asses kicked

Snorlax is lowkey T-posing

(Source: twitter.com, via grumpclump)